Wednesday, July 10, 2019

Detective Comics # 1007 Review by Anthony Andujar Jr

    Detective Corrigan has been kidnapped by a cult hell-bent on separating The Spectre from his host. Desperate to save his host, Spectre enlists the help of Batman to aid in his search and rescue.

   Magic and Science collide and see their differences, both detectives have one goal in mind, to save Corrigan from the cult of the Spectre! Can Vengeance and Justice reconcile their differences long enough to solve the case? With the wrath of God at the Specters disposal and the belief of the Law on Batman’s side, it’s gonna be one long night.
    Now, this is no disrespect to any writer that has been writing Batman titles, so keep in mind and take in consideration for what I am about to say. I’ve been enjoying what Scott Snyder and Jock has been doing on the Batman Who Laughs, and I’ve been enjoying what Snyder and Capullo are doing with Last Knight on Earth. Both are strong, solid Bat-titles that are both well-written concepts that have been crushing it in execution. But here’s the problem, there both limited series and Snyder has already written his Batman run, so there isn’t much that he’ll be doing with Batman for the foreseeable future. Azzarello and Bermejo finally completed their Batman: Damned series after a brief hiatus. That book underwent unnecessary controversy, from fans who claimed who wanted mature vertigo-esque, adult content, only to backpedal as soon as they saw a nude scene. And because DC back peddled on their adult content, it only hampered what Black Label should have been, and may never be again.
  Regardless, Damned was an interesting story and different interpretation of Batman outside of continuity that was interesting to read. The problem with this is, it’s a story outside of continuity, and that’s not bad, but when a Batman book is more interesting than the main title, that’s a problem. And that’s an issue that I’ve had for the past few years with the main Batman title. While I’ll admit, I’ve enjoyed the main Batman title as a guilty pleasure, the way Batman is depicted, and the plot elements of the story, just didn’t appeal to me, and that’s fine. When Tomasi was announced to write Detective Comics after 1000, I was excited! Admittedly, I wasn’t really crazy about the Arkham Knight story, and unfortunately, it wasn’t my cup of tea, but since issue 1006, I think Tomasi has finally found strong footing for this specific title!
  Tomasi is no stranger to Batman let alone a majority of DC’s characters. He has written one of the best, if not, The Best Superman run by far, and his work on Batman and Robin speaks for itself. So it was a no brainer that someone such as Tomasi would be suitable to write this series. And I have to say, reading issue 1006 and 1007, Tomasi really put the Detective in Detective comics. What I really enjoyed about issue 1006 and this current issue is that Batman is depicted in the best, and most recognizable fashion that hasn’t been seen in a mainline Batman title for some time. Here is a Batman that is an actual detective, that uses holographic technology to create 3d maps that help him to recreate the crime scene. Here is a Batman that deeply analyzes his surroundings, and considers different methods before jumping to conclusions, and will debate with allies of contrasting views about how to solve a case which makes this issue an enjoyable read. Tomasi is able to distinguish Batman and The Spectre as two individuals that have common goals and aesthetic, while also showcasing their ideological views of Justice and problem-solving.
   The entire issue is full of great moments of Batman written at his best, showcasing that even as a cool, calculated detective such as Batman will have a hard time dealing with the supernatural and loathing it. It’s humorous to see Batman stand in opposition to the Specters methods of crime solving, but it is also a relief to see a Batman that feels familiar, refined yet different enough to be compelling. This is my favorite iteration of Batman to date and given that Tomasi is able to bring the very best out of this two-issue arc, it shows just how well he understands the character. But what I enjoy most is that this two-issue arc really takes Batman out of his element, and really showcases his personality beyond the cape and cowl. There is a scene where someone throws something at Batman, and even though he retains his cool, he still claps back with comments that remind me why I love Batman. A Batman that responds back with col, dry wit in combat, when patience is tested gets a solid A grade from me anytime.
  In regards to the art department, it’s safe to say that I want Hotz on this title for as long as he can. Because his work with Tomasi is spectacular in every way that a Batman book needs to be and should be. I remember watching Sal and Tiffany from Comicpop discussing Hotz art style, and comparing it to Kelley Jones art. Which is a huge compliment and after reading issue 1006 and this current issue, that is a testament to how good and stylistic Hotz is? What is different about his work and Jones is that it’s more refined, a bit restrained, yet Dynamic enough that it is both stimulating to the eye, and enjoyable to read from panel to panel, never disrupting the flow of the story. What I love most about his work is that he is the first Batman Illustrator that I’ve seen that showcases Batman’s fighting style in the page. He is able to visually display how Batman fights, without resorting to a punch, or flying around over people. This is refreshing because it showcases that Hotz isn’t your usual illustrator and coupled with David Baron’s colors, and Rob Leigh’s lettering, they are able to showcase what makes these characters visually different in every facet.
  This is a fantastic issue, and I couldn’t recommend it enough. If you’re looking for an in continuity, ongoing Batman series that is worthy of the title and character, then this is it. Support this book because it’ll show DC that genuine writers and artists that care about story, continuity, and integrity of a character is still important. Add this to your pull list for new comic book day, because it is worthy of it.
  You can find the rest of my other reviews on : 

Friday, July 5, 2019

Green Lantern issue 9 Review by Anthony Andujar Jr

 Somewhere across the universe, a gamma irradiated being that possesses reality warping powers is ravaging the lives of an Antimatter mining colony. Some of the universes best defenders known as Superwatch have fallen to the slaughter of this powerful being. The only way to stop this being is to call the Green Lantern Corps, but they are too far out of reach, so the only solution is to rely on the help of Hal Jordan, The Green Lantern!
  This series has been very interesting and while each issue feels like a standalone oneshot tale that feels self contained, it feels as though it is building up to something that I don’t think readers realize. Morrison has done a lot of set up before, especially in his highly regarded Batman run in which he laid the foundations for what became the modern standard for most Batman mythology, and I feel he is doing the same with this title.
With that said, this issue was amazing from beginning to end! Morrison writes a tale that begins with cosmic proportions, segways seamlessly to a fantasy story, and manages to ramp things up to a crazy cliffhanger! I feel as though there are hints of Multiversity, and Final Crisis in regards to what occurs within this issue and its perfectly executed. The story is bombastic, yet small for a good chunk of the issue, which begins to expand even more by the time readers get to the end of this issue. I’m excited to see what Morrison is going to do in the following issue as he kicks off this arc.
     I think what makes this issue captivating is the relationship that Hal has with his power ring.The ring has its own personality, which is a lot different than what has been seen before from the likes of writers like Geoff Johns and Humphries. This a unique addition to Hal Jordan and to the story since he has a somewhat budding relationship with his power ring that feels reminiscent to the humorous Venom/Eddie Brock raport that is seen at Marvel.  The reveal of the primary antagonist that's seen on the cover and in this issue is cleverly revealed that I couldn’t help but be amused at how Morisson takes the obvious and flips it on its head, making it an enjoyable moment that perfectly sets up what is to occur with what I believe is the first full on arc of this series.
          I feel that the art gets better with every issue, and this may be the very best that Liam Sharp’s art has been thus far! Although issue 7 is probably my favorite standalone issue, I feel that Sharpe has found strong footing throughout the duration of the title thus far, providing fantastic linework, and consistently eye warping layouts that are expertly executed and pleasing to the readers eyes. I think what stands out to me the most is Steve Oliff’s colors, I feel that this is the most vibrant that his coloring has been throughout the entirety of this series thus far. I feel that the color choices contrasted with Orzechowski’s letters and complemented Sharp’s pencils beautifully, accomplishing the other worldly tone that Morrison and company have managed to establish for this series. 

    This series has been developing into an epic run that might surpass and reshape the mythology of Green Lantern in the following years to come.  I highly recommend picking up this issue for new comic book day.

The WIldstorm issue 24 (DC Comics) Review by Anthony Andujar Jr

       This is it, The final battle between Jenny Sparks team, IO and Skywatch finally reach its epic climactic conclusion! As IO turns its back on humanity and Skywatch launches a deadly weapon to destroy the Earth, Jenny Sparks and The Authority take the war to them, but at what cost? What becomes of IO and Skywatch? Can The Authority succeed in their efforts and expose the corruption that has encapsulated the globe? Or will Humanity succumb to the grips of annihilation?


       After 24 issues its amazing to see how this series started off as a slow burn and yet even with the slowstart, it never felt like the series dragged. The series felt well paced with each issue and as the puzzle pieces started to align together, it was amazing to see what culminated into a great final issue. Even though the issue was action packed, I was surprised that Ellis was able to come up with a clever conclusion that was executed so well. I won’t spoil the book, but what Jenny Sparks and Angie Spice brainstorm to save the earth was satisfying. Given that this series is a reimagining of the original Wildstorm universe, It’s amazing to find that Ellis is able to find new ways to depict characters that are familiar and make them feel refreshingly different from their original counterparts throughout this series.

     I think what makes this issue so great is how the authority is handled throughout this issue. They may be strong, but they feel fragile, I think the best way I could describe it is that they’re being of great power, but they could be easily killed, which invites welcomed tension and stakes. In the prior incarnations, most of the characters felt very capable, but they never felt as fragile, as super HUMAN as they do in this series.  
   
   It doesn’t fall into the traps and tropes that the original Authority series had established back then. The writing, the plot, and the decisions made with each of these characters we well executed. Now, I hate to say this, but If there was no way to adapt the Authority in the vision of the original series, I think that this would be a suitable version that would be perfect for adaption, but with that said, its already good as is!  Unless Adi Shankar can pull some strings to try to get an animated series of the Authority made then that would be cool, but one can only wish right? Now although most of the story is wrapped up, I was left feeling that there were still plotlines that needed to be resolved. It’s no secret that Ellis and his team are working on a W.I.L.D Cats series, which will continue from where this series left off and address some of the dangling plot threads that sprang from this series.  


   Now, Jon Davis-Hunt deserves some praise for his work. I feel that he’s underrated for his sequential work which is just cinematic as the standard superhero comic aesthetic that most mainstream comic book fans tend to respond to. From the fight choreography, to the emotional beats, to the brutal carnage that occurs all around these characters, he has executed all of these actions in a way that feels gargantuan and powerful, yet retaining a mundane sense of reality, which serves Ellis’s writing perfectly. I think everyone on this title should be commended for delivering a reinvention of characters that fit the modern era of society and societal norms, while still preserving the sci-fi insanity of its predecessors. If you’re looking for a reinvention of The Authority and the Wildstorm Universe, If you’re looking for a series that reflects the world that we live in today, If you’re a fan of Warren Ellis, then I definitely recommend picking this book up, along with the rest of this series. I never thought that I would like a reinvention of a team that I knew of, but I changed with time, and so did the Wildstorm Universe itself. Add this to your pull list.

Wednesday, July 3, 2019

Spider-Man Far From Home Thoughts by Anthony Andujar Jr 7/3/19



Spider-Man Far From Home Review by Anthony Andujar Jr     7/3/19



Spider-Man: Far From Home is a game changer! Not only is he the new face of the MCU, but he's going to change everything, forever. 




       Director Jon Watts , and screenwriters Chris McKenna and Erik Sommers return to the world of everyone's favorite Wall Crawler with a sequel that promises that the Marvel Cinematic Universe has more story to tell, and boy do they! The director and screenwriters  manage a daunting task and do a tremendous job at building upon the foundations that were established in Spider-Man: Homecoming (2017), Avengers:Infinity War (2018), and Avengers: Endgame. Not only do they do a fantastic job at expanding their horizons with the characters, their relationships, and their roles within the movie, but they also provide new challenges for Spider-Man that casts a tangled web full of consequences.


      It’s no surprise that Mysterio steals the show in this film in regards to his character, and how his presence impacts and changes the dynamic of Spider-Man’s place in the world. How Jon Watts handles Mysterio, and how Jake Gyllenhall portrays Mysterio is nothing short of spectacular. As the audience, you really feel as though he is not like his comic counterpart, and when things start blow up, you really get to see what he’s made of. Its interesting seeing how Peter Parker reacts to each mentor figure whether it’s Tony Stark, Happy Hogan, Nick Fury and Mysterio, you really see that despite being a superhero, Peter Parker is just a kid trying to fill the void that he has difficulty recovering from. And how that affects him and his abilities to achieve his true potential really shows.  For sometime now fans have flipped the script complaining that the MCU has begotten Uncle Ben and how impactful he is to Peter’s life. 
   
    It’s been hinted at in Civil War, that Peter has experienced great loss during his tenure as Spider-Man long before the events of Captain America: Civil War take place. But in a world where moviegoers and fans alike have lived in a time where they have witnessed the Raimi films, and the Webb films all in the same decade or so, It’s fitting to not rehash what everyone already knows by heart, even if they aren’t a comic book fan. Everyone knows the story of Spider-Man and Uncle Ben, and to be fair, people have complained about the rehashing of Uncle Ben in the Webb/Garfield films. 
     In regards to the MCU, Feige, Watts and company made the right call to tell their own tale that carries the essence of the character and his mythology, while embarking on a fresh direction that won’t suffer from the same fan backlash that the Abrams helmed Star Wars franchise has already experienced in regards to complaints that The Force Awakens is  rehash of A New Hope and Empire. With that said, this movie takes Spider-Man in different places, and I’m not talking about Venice, Italy. This movie takes Peter Parker and Spider-Man in a bold new direction that takes audiences on a roller coaster ride that’ll have them flipping.


   Speaking of flipping, Tom Holland does a fantastic job as Peter Parker and Spider-Man. Given his portrayal in the other films, he does a great job at providing the weight that Peter Parker carries as both a regular teenager, and as a superhero. We get to see Spider-Man really deliver some action and good fight scenes within this film that showcases the potential greatness that lies ahead for both Holland as an actor and for the Ol’ Webhead within the confines of the Marvel Cinematic Universe. Zendaya does a fantastic job and making Michelle (MJ) a quirky, yet charming character. She’s more different than what most have come to expect from other iterations and other love interests from the last two franchises, and yet, she holds her own without being annoying, and being well written as a character that continues to grow throughout these films. The chemistry between Peter and Michelle feels organic, showcasing a natural progression from Homecoming, and it's as adorable as it is entertaining to see. Ned Leeds, Peters best friend is played by Jacob Batalon who continues to deliver as Peter’s partner in crime ( or Justice?) and definitely takes center stage as the comedic relief in this film. Although his role as Peter’s partner in crime isn’t as big as it was in the first film, he still provides a ton of hilarious scenes that had audiences laughing. 


    The rest of the supporting cast are fantastic in their roles, providing humor and good moments all around. Whether it's teacher chaperones Mr Harrington and Julius Dell played by Martin Starr and J.B. Smoove, Happy Hogan played by Jon Favreau, Aunt May played by Marissa Tomei, Nick Fury played by Sam Jackson, Maria Hill played by Cobie Smulders, everyone has more time to play in this film, and Watts does an exceptional job at making each of these characters more likeable and fun to see. There isn’t a dull moment with any of these characters, which makes the movie all the more entertaining whether Spider-Man is on and out of scenes. Watts definitely executes the quirky vibes that John hughes has done in his own films such as Pretty in Pink, and The Breakfast Club, and it is great to see Watts excel at providing his own flair to this movie. Watts shows that he has definitely learned from his experience with the last film and delivers a great installment that is a massive improvement over the last film, providing stakes that really push Spider-Man and his cast to their limits.


     Now I once had Spider-Man 2 (2004) as the top Spider-Man film until Into the Spider-Verse (2018), and I still hold Spider-Verse as the best Spider-Man movie to date. But after seeing far from home, I can confirm that it is one of the best MCU films to date, but it's not above Into the Spider-Verse, which I say is still the best Spider-Man film. But what far from home has accomplished by paying homage to the Raimi films , and the comics, really nailing the bad Parker luck, but still making the MCU continuity flow seamlessly through this film, it's safe to say, it is the best MCU Spider-Man movie to date, and that is the highest of praise.


I will admit, I feel that while Peter makes development, it doesn't feel as different than where he started in the MCU. He learns a bit, and matures a bit. Maybe what Feige has plan is something that will gradually occur since Tom Holland is young, and will be playing Spider-Man for more films to come. I'm sure that with time, the character of Peter gradually change and grow in the same way that Iron Man and the other Avengers characters did throughout the course of the MCU.


   While it is no Endgame, nor Spider-Verse, it definitely is a worthy contender that has just as much impact as Endgame in a variety of ways that will change the landscape of the MCU. The ramifications that come after this movie is gonna have fans and critics alike talking and speculating for years to come. It's safe to say that the future is looking bright for everyone's favorite wall crawler, even if it seems a little dim for him, but that's what makes for a good Spider-Man story right? Spider-Man is always living life on a tightrope between his personal life and his superhero life, and leaning too far on either end complicated things. Whatever Marvel Studios, and Kevin Feige has in store for the ol webhead and the MCU, Its safe to say that I’m all in, and so is the rest of the world.

Monday, July 1, 2019

JLA: Act of God Elseworlds (2000) Thoughts by Anthony Andujar Jr 7/1/19


     Last month (mid June) I was heading out of work and decided to go to one of my favorite book spots. I tend to go to Forbidden Planet mainly to buy an issue or two of current ongoing series, but The Strand is my go to spot to buy hidden gems at a very good price, be it back issue volumes of a series, Manga, or long forgotten elseworld tales, I always go to the top floor to collect good reads. Upon my visit, I was surprised to find an Omnibus of Gantz given that it is one of my favorite Manga’s of all time, and given that I wanted to re-read and collect the series, I decided to purchase the Gantz Omnibus 3 which was totally worth getting at a solid price of $4 bucks! I then proceeded a volume of The Authority (which was written under Mark Millar’s time on title after Ellis’s run) for $3.00 which was a good deal. And then, as I scrambled through The Strand’s bargain bin I came across three slim volumes of an Elseworlds story that I never heard of called JLA: Act of God



    As I pulled all three of the books from the bargain box, I was interested in the story due to the title and what was implied on the cover as it portrays many of the DC characters post Morrison/Waid, pre Infinite Crisis, Pre New 52, all scattered across the cover in horror and defeat. Each book was literally $2.50 each so I figured, for a 3 book mini series, this was worth buying for a decent price, so why not! Curiosity took hold given the premise  that an unforeseen black light temporarily covered the skies, causing many of the super beings of the various superhero and villain communities to lose their powers, which leaves the heroes and villains that use technology to duel for the future of the world. 

   The premise immediately caught my interest, given that its an elseworlds story, which isn’t hampered by messing with continuity of its time, which provides for twists and turns that would make for an enjoyable read. And while Black Label just started as a branding, It doesn’t hold a candle to what Elseworld’s has accomplished decades before, but if DC and Warner brothers is smart, they could learn a lot from their prior efforts and success that made Elseworlds what it once was. But it remains to be seen how Black Label will last since it’s only had Batman: Damned and Superman: Year One thus far, and maybe Tom Taylor’s DCEASED will hopefully be made into a Black label book since it has all the checkmarks to be one. Either way, The Idea of reading an Elseworlds tale that takes a peak at what the DC universe would be if everyone of the heroes became powerless held promise for it to be a worthwhile story to read. 

      Now the story is written by Doug Moench, who is well known as the co-creator of Marvel Comics Moon Knight, in addition to his 90’s Batman run with Kelley Jones, especially with Elseworlds tales such as the Red Rain Trilogy. Knowing that he was writing this book was another plus, so I was eager to see what he would do given the interesting premise. Moench explores some interesting ideas allowing the readers to witness how members of the Justice League, The Titans, Young Justice, and The Justice Society handle the fallout of their loss of abilities. This gives an opportunity for the non powered heroes such as Batman, Nightwing, The Birds of Prey, Red Tornado, Mr Terrific, Steel, Hawkman, Blue Beetle (Kord), Booster Gold, Green Arrow amongst others to step up and take center stage as the other heroes work through their trauma, questioning whether anyone is deserving of great power, accepting and rejecting their circumstances.

    What I find interesting is how most of the stories that come out in 2019 tends to consist of abilities that stem from technology. Even horror and fantasy stories that are published tend to focus more on technology than magic these days, so to see that Moench was already exploring that in this series was fun to read and reflect on.
  In the midst of all the chaos, the biggest mystery that the worlds greatest heroes investigate is what or who cause the black light event that took away the powers of every super powered being on the planet? How did it happen? And is there a way to recover what was lost? Or is it permanently lost forever?  Now what I enjoy about this series is witnessing how the heroes that lost their powers try to cope with the loss of their abilities and failures. 

    One thing that I wasn’t really fond of is in the first book where all of the heroes gather around to try and understand what has happened, leaving Oracle to speculate what may have caused their dilemma, may not possibly be caused by anyone, but caused by an “act of god” (yup, inserted the name of the series into the story), leaving everyone to speculate whether or not it was a predetermined event by some form of intelligence? or was a random occurrence that was nobody's fault?  I’ve read some stuff about critics disliking this story, but I wanted to see for myself on whether or not I would like this story. Given that its an elseworlds story, I don’t ever expect for it to portray anyone in the same way as the main continuity versions are written, and that should always be expected when reading an Elseworlds story, so I made sure to reserve my judgement of this story until after reading it. 

 Book One’s antagonist is Toyman, who after realizing that Superman is no longer present in Metropolis, decides to exact revenge on Lex Luthor now that no one can stand in his way. Two weeks after the mysterious black light incident, other villains who rely on technology such as the Rogues, Prometheus, Amazo, Metallo, Cyborg Superman, and Dr Polaris decide to team up to eliminate the remaining non powered crime fighters that stand in their way of conquest. And boy does it get ugly! During Toyman’s attack on Metropolis, Steel enters the fray, unprepared, and still recovering from the incident. Failing to defeat Toyman, Steel bites the bullet, becoming the first of the hero community to fall. 

    What ensues in book 2 is a flurry of clever surprises, mainly in the villains part. The idea that Toyman’s giant robot as a trojan horse housing all of the technological villains to bombard Booster Gold is simply brilliant! Even though it was actually Lex Luthor’s secret plan to use those villains against Toyman to set him up, it still was an awesome scene! I’m surprised that throughout the new 52, and DC Rebirth that no one has done anything interesting with Toyman on this level! Mind you, this is an elseworlds story from the 2000’s! The fact that Moench did something really cool with Toyman in this book and has never been done since then makes me want to see more Toyman stories. Unfortunately, that won’t happen anytime soon, and even though Bendis used him a little in his Superman and Action titles, it remains to be seen whether or not he’ll do anything interesting with Toyman at all. 
     Now I will admit, the writing on Superman and Lois Lane I think would have worked better if this series wasn’t written asa 3 book title. Maybe if it was like a 4 book title, where readers see the passage of months and strain between their relationship due to Superman moping around then I think it would have been more acceptable in execution. But given that it's only shown within 2 pages that Lois and Clark decide to separate due to the unwillingness to accept powerlessness was admittedly weak, even though it is understandable given the circumstances of this series. I feel that if there was more pages, there would have been more room to explore how being inactive as a hero would have affected Clark’s relationship with Lois.

      I wished that Moench explored what their work relationship was like with the folks at the Daily Planet, or even have scenes where Clark calls Bruce to get advice on how to see the potential of what he could be as a human being rather than doing the opposite. I could understand the criticism of the handling of Superman here since he is usual known and is written to be a beacon of hope with or without powers. But I like the idea of seeing a Superman that feels incapable of doing anything because all he had ever known was power, and now without it, he's a shell of a man. In a way this reminds me of The Avengers (2012) scene where Iron Man and Captain America argue about who they are without their abilities, and both would then showcase that with or without their abilities, they are still capable of making a difference.  
         
  With this series I actually enjoyed the idea that this take on Superman is not confident in his current state of being. Everything he has ever known, his entire existence, purpose and being relied heavily on his abilities. Take that away, and Superman is nothing but a man struggling to come to terms that all that he ever wanted to be is not as good as what he once was when he was not human. I feel like this is an interesting case study because this is not a power hungry Superman, this is not the main continuity Superman, this is an iteration that is frustrated by the idea that even as a human being, he can’t make as much impact without his powers. 

      Because he had the ability to help, and even if he was to help by doing the best he can, it would pale in comparison to what he was once able to do. That's somewhat relatable to I think most who are accustomed to one way of living and having to adjust to a new way of thinking and living. This creates an interesting conversation about the character of Superman, because he isn’t like other counterparts. Clark wants to help much like his man universe counterpart, but he knows the reality of the situation, and can’t help but feel helpless because of it. Sinking into a depression that ends up costing him his marriage. I feel Moench stated that the Toyman battle occured months later instead of “2 weeks”, I think the scene would have been justified, and people would have been more receptive at the time. Especially with Clark going with Diana, had there been more time established, I think it would have been fine due to their predicaments and the passage of time that occured. But again, I understand why that was an issue even for an Elseworlds story such as this. It is interesting to see how much of the New 52 always played off from these Elseworlds ideas be it from Frank Miller's The Dark Knight Returns and this series among other tales in regards to the Superman & Wonder Woman relationship that occurred during the New 52.  

   Now the plot thickens as even the tech heroes get ransacked from their technology, and are left defenseless, leaving some of the earth bound heroes to cope by living out their lives, publishing books about their former lives, or drinking their sorrows away. Those heroes are the ones that are financially capable of doing that, where as other characters like Martian Manhunter had me wondering about how he is able to pay for the rent?  Is he covered by Bruce Wayne? How is he able to move around without being noticed by the public eye? Its details such as that that I feel, had they been explored, it would have made this book more of a fulfilling read. I do enjoy the segments featuring Supergirl who is now a beat cop trying to cope with her circumstances. Even seeing other characters such as Wally West suffering from PTSD due to failing to save a cop after the Black Light Event was interesting to explore, even with some of the in fighting from the remaining formerly powerful heroes trying to figure out how to reinvent themselves without relying on the ease of superpowers.

      Personally I like that Supergirl does the ideal thing that Superman is unable to do which is to move on and reinvent herself, learning from the approach of Batman and Green Arrow. But I also enjoy that Wally responds to that idea as a dumb one for him given that his feelings towards those ideas reflect his insecurities, that he isn’t capable as he once was. This reminds me of what Joshua Williamson has explored in the current Flash title with Barry Allen, where even in the current run, he has had moments where he feels his powers defined him more than the other way around. Even with this approach even the power neutered heroes understand that Batman has had a lifetime to hone the skills that he has today, to even keep up would prove to be a challenge that would hold risks. I was happy that there was at least a 6 month jump to see how characters get to where they are, because with a story like this, there is so much that could be explored. Unfortunately, we mostly see what's happened with the Justice League, but we don’t get to see how members of Young Justice, Titans and the JSA handle their dilemmas. 

    As the series goes into book 3, and things don’t look pretty for characters such as Kyle Rayner who can’t get over the loss of power and a Superman who is now an alcoholic, having a crisis of faith in his ability to make a difference as a normal human being. Now, I think what I enjoy most about this book is how Batman is written throughout this series. He doesn’t come off as a condescending individual, he is actually written like the Batman that most remember before the stuff that Tom King had written, where he is cool, calm, collective and reasonable. Even as the former superpowered heroes make a new team The Phoenix Group under Batman’s watch, he still treats them as human beings, and not as canon fodder. 

Left to Right: Martian Manhunter, Wally West, Aquaman and Supergirl

   There are some pretty corny lines that are delivered as The Phoenix Group make their way to face off against Lex Luthor’s team of villains, but I can’t help but let it slide given that I live for such terrible puns haha. Especially when there is a panel where the heroes have to get through a gate, and Aquaman tells his friends while using his cybernetic hand stating, “No problem, not when The Hand lends a Hand”. Its so ridiculous that I enjoy it despite its fun ridiculousness. Yet despite the minor dialogue, Moench does an entertaining job with The Phoenix Group, and showcasing how formidable they are as a team, and even give Kyle Rayner a chance at redemption. The series ends on a bit of a cliffhanger that presents the idea that some things can never be buried, and even without the power, people can still be heroes.

   So, do I like this story? Yes. Why do I like this story? I think its an enjoyable glimpse that I could reread anytime due to the focus of the non powered characters and how they handle situations that show them what makes them who they are. The idea that when you take waya what was once normal about these individuals, and introduce them to a new normal that challenges their entire being is a concept that isn’t often explored to this extent within the DC Universe. I like the idea that even the most valiant of heroes that championed with super powers can feel intimidated, and defeated by the idea of who they once were because that happens to people in real life, and even though this is a fictional story, and alternate universe, I feel that they handle these ideas better than most other stories. I think the strongest parts of the story are with Batman, and The Phoenix Group given that they show a good display of what it means to be heroes even without their former abilities.

    I could see what Moench was trying to do with Superman and Wonder Woman segments but I felt that it was more weaker since there wasn’t much exploration to how things affected them and how they come to a point of acceptance.  I feel that if Moench expanded on the effects of Clark’s life, be it arriving to work late, being unable to keep up with news stories, unable to keep up with the rent etc, I feel it would have made for a much compelling take on the cost of Superman’s dilemma and why ultimately, things become sour for him during the middle part of the series.  I enjoy the resolve, but it just didn’t feel like it was that important to the story, and by the end of the series, I was a little confused at seeing Superman and Wonder Woman wearing their costumes again which begged the question, are they fighting crime utilizing Batman’s methods without powers? Or did they get their powers back? If so, how and when did that take place? Its stuff like that that felt like the weak points of the story. 
   
    Even though readers get to see Nightwing and Wally West (in his new guise as the Red Devil), I couldn’t help but wonder about what happened to the Teen Titans and the Titans. How did Beast Boy, Starfire, Wonder Girl, Impulse, Superboy deal with the loss of their abilities? I feel that it would have been a more compelling story to explore just how big the ramifications were beyond the JLA and is a missed opportunity. Now admittedly, it would have been cool to find that the Black Lightning storm that caused the heroes to lose their powers was caused by some supervillain, but unfortunately we don’t get that. What we get as the answer is that it was a random accident that happened with no explanation and sometimes, life is like that. I’m curious as to whether Moench had any other plans, if there was a different ending, or a different climax. Could there have been an actual villain behind it if it wasn’t by accident? Or did Moench intend for this story to be written as it was meant to be written?

   In regards to Dave Ross’s art, during my reading I almost thought that Rags Morales illustrated this series, because man, does it feel like its of Identity Crisis quality in regards to strong pencil work. The lines are crisp and the effort is seen throughout every panel and page. I thought his art was fantastic throughout the entirety of this series, and coupled with Freeman’s Inks and DiMagwali’s colors made this book look good throughout the entirety of the story. I feel that this was a fun series, and I can’t help but think that this could have been a Batman story since it had some Young Justice: Outsiders vibes going on throughout the 2nd and 3rd book. I think this was an entertaining Elseworld’s story that is worth checking out.