Superman & The Authority #1 Review by Anthony Andujar Jr

 

For the Man of Steel, it is a difficult task to maintain truth and justice in a world that proceeds to become more challenging and bleak. To combat the coming threats that plague the world, Superman will have to assemble a team that can tackle the kinds of battles that the Justice League can not. Can Superman prove that heroes can still be heroes within a dark world? And will the heroes assembled cooperate with Superman and his mission?

Morrison’s latest project featuring Superman in the same space as the Authority is fascinating. Morrison has written various interpretations of the Man of Steel, within Justice League, in standalone continuity such as All-Star Superman, so what else can Morrison do with Superman that will be different? Where else can Morrison take him that shows Superman in a different light? Just when readers think they’ve seen it all, Morrison does something that he hasn’t done in any of his previous efforts, which is writing an aging Superman that has lived in real-time with the rest of the world. To some degree, this iteration of Superman feels like a combination of Waid’s Kingdom Come Superman, combined with All-Star. In a decade full of constant evil Superman stories, it’s a joy to have a Superman book that deviates from that sort of expectation and examine Superman under different conditions that displays why he is great as a character beyond his powers. This is a Superman that is experienced and has remained in the game since the 1960s, so he is seasoned, and still an idealist, but understands that his methods may not always apply to the difficulties of modern times. Which isn’t often seen in a book such as this, making this a refreshing read.

Aside from this different take on Superman, Morrison also returns to get another shot at writing The Authority, which he never had the chance to finish during his tenure at Wildstorm. To see this iteration of The Authority is fun and feels more in line with the original Authority rather than the Wildstorm (2017) series. Morrison’s take on Manchester Black is much in line with the character’s personality in previous appearances, and made me realize that it would be great to see Black and John Constantine in a book together because he is very similar to Constantine but very much different in his own right, making him a great foil character to the Man of Steel.

Black reflects the modern cynicism of the current generation that perfectly rivals the idealism of Superman, making them a more compelling duo than Batman and Superman. Despite their different methods and philosophies, one thing is certain, Black and Superman both desire to make the world a better place, and with a story such as this, it most certainly delivers in providing a story that feels evergreen, and fun while also providing food for thought all at once. Aside from the heroes, the antagonists for this book are interesting since they’re characters from the DC universe, but with a flair that is surprisingly fitting for a book such as this. Without giving much away, the villains selected are

Mike Janin is the illustrator of this 4 issue mini-series, and his style fits the tone of this story perfectly. Janin has established himself in previous projects such as Grayson, and the Tom King Batman run, so to see him illustrate a project such as this is a treat. His ability to compose action sequences and set pieces is nothing short of great, but his ability to draw mundane scenery and interactions is what makes this book shine. In addition to the thoughtful color work of Jordie Bellaire, and lettering by Steve Wands, it not only compliments Janin’s layouts, which delivers all the fun and insanity that a limited series such as this should have. This is a solid creative team that has been put together, and the concept is one that has the potential to be the kind that will be talked about as an evergreen story to come.

I definitely enjoyed this first issue and can’t recommend this book enough. For anyone that’s interested in reading a Superman book where he isn’t turning evil and is trying to find new ways to help an ever-changing world, this standalone story is for you. For anyone looking for a successor to the classic iteration of The authority, this book is for you. For anyone that is looking for a book that is standalone and offers a thought-provoking take on superheroes trying to find their place despite the clash of ideology and methods, or an observation of modern society and the possible direction that they could head as a whole, this book is for you. For a 4 issue mini-series that’s 38 pages deep, I definitely recommend picking this book up for new comic book day. I look forward to checking out the following issue.

Black Hammer: Reborn #1 Review by Anthony Andujar Jr

 A new Black Hammer series begins! The story follows 20 years after Age of Doom, where Lucy Weber, daughter of the original Black Hammer, has retired as a superhero. Lucy works a mundane job, is a mother, and does her best to keep up this lifestyle as everything else in her personal life falls apart. The era of Super-Heroes is over, where agencies such as T.R.I.D.E.N.T take care of all the nefarious occurrences of supernatural events and supervillains. But something from 20 years ago haunts Lucy and is making its way back to the present. Now Lucy is left with a question to herself: What will she do to preserve the peace that she has long sought for her life?

If anyone is unfamiliar with the previous efforts of Black Hammer, have no fear as Jeff Lemeire expertly sums up all that you need to know about Black Hammer through this great character study of a story. It’s interesting to see characters age and change, and given that Lemeire has been steering this ship of a series that he co-created, it’s refreshing to see how he accomplishes taking characters that he has co-created, and taking them in places that provide as much mystery and intrigue as to where they might end up next. For new readers, this is a very reader-friendly book that drops you in and gives you all that you need to know about Lucy and the world of Black Hammer. Lemeire is no stranger to writing character-driven stories and in this tale, seeing Lucy as a mother compared to what she once was as a teenage superhero is quite a contrast. It’s obvious that Lucy is trying to grasp at anything that bears a semblance to a normal life, while also trying to avoid what once was in her previous life as a superhero. It’s not often that superhero comics get to explore characters that age in real-time, and it’s refreshing to see Lemeire take that approach. Something about this book reminds me of Kurt Busiek and Stuart Immonen’s Superman: Secret Identity, and if you like that book, you may enjoy this one.

Caitlin Yarsky lends her visual talents to the world of Black Hammer and it shows wonderfully in this book that she was the perfect person for this assignment. Yarsky has a great ability to combine the fantastical with the mundane in ways that feel real to readers. While she is able to draw visually stunning action scenes, it’s the mundane segments of Lucy trying to hold on to her newly accustomed lifestyle that grabs interest. Coupled with Dave Stewart’s greatly rendered colorwork, and Nate Piekos lettering, you get a beautifully packaged book that is worth the price of purchase. It’s a solid book that’s both entry-level for new readers, but also rewarding for long-time readers of this series and its spin-offs. I recommend adding this to your pull list for new comic book day.

Justice League: Last Ride #3 Review by Anthony Andujar Jr

 

The League is in a tight spot as they attempt to protect a killer from the rest of the forces from across the universe. Left with no other options, they resort to returning to the scene of their greatest defeat, Apokolips. Now that the planet is a shadow of its former self, it may prove to be the path of success for the League, but all is not what it seems. 

Writing: Zdarsky brings the league to the barren parts of Apokolips and what makes this issue great, is due to the constant chemistry between each of the league members as they discuss, plan, and traverse through their quest. Each of the members are written as they should be in personality, which provides the main thing that this book delivers, which is, character. The story is great, the journey that the League is navigating is great, but it’s the interplay between the characters that keeps investment to want to come back and read for each installment that Zdarsky writes.

The little moments such as the campfire scene really makes this book stand out, and shows how much Zdarsky understands the league and the importance of characters that you want to invest in beyond their iconic status in pop culture and mythology. Personally, Wonder Woman is a standout in this book, her personality feels more well-rounded as a character that has a sense of humor despite being a warrior. How she’s written, makes me wonder what it would be like if Zdarsky wrote a solo Wonder Woman mini-series.

Art: Mendonca continues to deliver in the art department with dynamic art and layouts that make even the quiet moments grand in design and aesthetic. Coupled with Angiolini’s colorwork, they continue to make the book shine in the same fashion as Zdarsky’s stellar writing. Andsworld Design provides great lettering that is well placed, servicing the book as the cohesive glue of art and writing, making the book an easy and enjoyable read to run through.

It’s safe to say that this is another great issue and continues to be an engaging story about characters pitted against the universe. I feel that this book will be one of those evergreen stories that will be recommended as good trades to add to one’s library in the years to come. If you’re looking for a good justice league book or a book that’s telling a self-contained story, be it in or outside of continuity, this is definitely a book worth picking up and adding to your pull list this new comic book day.

Batman Reptilian #1 Review by Anthony Andujar Jr

 

Gotham City is known for housing a slew of criminals and monsters that strike fear in all who roam its streets. Batman has always been the bogeyman of these monsters, but this time, something else has the criminal element in fear. Something is killing the Batman’s rogues gallery, and it’s only a matter of time until they’re all dead. Who is causing all of this and why? Can Batman solve this mystery before he becomes part of the menu?

Garth Ennis writing a Batman book is something not many would think could happen, especially after so many years since he last worked with DC on titles such as his iconic Hellblazer, Preacher, and Hitman titles. Whether you love or hate his work, his ability to write stories on characters with a unique perspective is a craft that can’t be ignored, and this book is no exception! As soon as the first page appears, Ennis goes right for the punch, literally. The story is a murder mystery drenched in bits of horror as Batman investigates the death of two rogues caused by an unknown assailant. It’s gripping, and atmospheric, where everything feels like it will fall apart at the drop of a dime. And given that this is a stand-alone story, this leaves room for Ennis to do whatever he likes for the sake of the story, which makes it all the more enjoyable. His take on Batman is interesting and is one that hasn’t been seen in a long time.

Batman is intimidating, never seen in a heroic light, always drenched in shadow, but has a sharp, witty sense of dry humor that gives him personality. It’s very much Batman, but more intimidating and eerie as this Batman isn’t opposed to striking fear in the heart of the criminal element any chance he can get. And no, this isn’t some edge lord take on Batman, thankfully. This is a Batman story that feels as though it could easily take place in the world of David Fincher’s Seven (1995). Ennis nails Batman’s mythic nature as a boogeyman to the criminal element while maintaining the fact that he’s just a man. Of the many characters that Ennis has written, this Batman might be the most interesting that he has ever graced his writing with.

Liam Sharp combines everything that he learned during his Green Lantern run with Grant Morrison and goes for an atmospheric style that can only be compared to the likes of Dave Mckean. He is a versatile artist, and even though this book is a standalone book, it feels like it could easily fit into the world of Morrison and Mckean’s Arkham Asylum. Gotham looks scummy, always in a foggy haze, and all of the characters and their designs range from terrifying to visually abstract in the best ways possible, that haven’t been seen since Arkham Asylum.

Seeing a book like this again reminds me of the late 80 to mid-90s, where artists such as Simon Bisley, Sam Keith, Kelley Jones, Bill Sienkiewicz, and Dave Mckean would break the rules of what comics should look like, giving readers a visual experience that made comics worthwhile as a medium. It harkens to a time where comics weren’t always beholden to the house style, where everything and any character can be depicted however the writer & artist deemed fit for the story that they’re aiming to tell.

Sharp really delivers in visually creating a world that feels mythic, and nightmarishly lived in, giving Gotham as much character as the players within it. His sequential work is well done and shows that Sharp has more to offer as a penciler and colorist than ever before. Rob Steen’s lettering is tight and seamlessly weaves the art and writing together, providing a great reading experience. If this is any indication, this is a great start to this six-issue mini-series and is a worthwhile book to pick up. It has two powerhouse talents, and a fantastic start to an interesting murder mystery that is worth adding to your pull list.

Static: Season One #1 Review by Anthony Andujar Jr

 

The Milestone Universe returns with a new line of books featuring modern updates and revamps of their iconic characters. One of the biggest books to come out is one of the greatest Dwayne Mcduffie creations of all, Static!

After the events of Milestone Returns, Virgil Hawkins is trying to come to grips with his powers due to the side effects of the tear gas that he was exposed to at a protest rally. Not only has he gained these newfound powers, but others with ill intent have also gained abilities due to the same event. Virgil has to do something, but what can he do? Maybe he can’t right the wrongs as Virgil, but maybe, he can defend those who can’t defend themselves as Static!

Writing: Vita Ayala handles the writing on this book and does an amazing job at getting inside the mind of a modern-day iteration of Virgil Hawkins. This is a kid who is frustrated by the lack of accountability and transparency by those that are supposed to protect and serve the people of Dakota. To have experienced an event such as the Big Bang, and gain these powers, with no other means to vent nor process these newfound abilities. Just when readers might question whether or not Virgil had exposed himself using his abilities, Ayala thought very carefully about how his abilities can affect technology and electronic devices, which adds plausibility to Virgil’s need for anonymity. From the narrative, introspection, drama, and story, Ayala wastes no time and introduces all the players within this series, giving the cast personality reminiscent to what came before, with modern updates that open the door for new territory that hasn’t been explored in the original milestone books.

In regards to the art department, The artists on this book made sure to give their very best for a title such as this. Chris Cross and Nikolas Draper-Ivey give new life to Static, giving the book a visual charge that gets reader’s attention. Cross provided layouts while Ivey worked on the finishes and colors. It’s no surprise that this book looks as good as it does because both artists provide liveliness in both the panel layouts and gesture work. Ivey is well known for his work on Noir Ceaser’s Xogenasys and has consistently been developing his craft, combining western and eastern styles, blending manga /anime aesthetics with American flavor. That kind of effort is brilliantly shown within the art from the technology displayed in certain scenes, to the visual styles, and action. Coupled with Andsworld Design’s lettering, it all comes together as a beautiful action packaged book. It all feels kinetic and for a book such as this, the team understood and delivered just that. There are some moments in some panels that, had the artists been given more time, would have been paced more steadily, but given how much is delivered within this issue, it’s enough to easily forgive and overlook those minor flaws.

The original Milestone books were reflective of the LA Riots, the case of Rodney King, and many other events that occurred during the time of their launch. This modern take on static is no different. From the hairstyles to the fashions, to the dialogue, the entire team on this book made genuine effort to look at Static from the lens of a teenager living in 2021, not 1993 with the balls to reflect on where Static is now in a time where anonymity and truth are grey. It’s no surprise that there will be detractors that have never read the original milestone material, complain about this book being “woke” or “SJW trash”. But that’s entirely up to the readers who know what Mcduffie, Cowan, Leon, and Milestone have always been about to decide on. I personally enjoyed this book and everything that it managed to deliver as a thoughtful update on a classic character that has been left dormant for far too long. In a world going through massive changes, turmoil, and civil unrest, no other characters are suited to reflect that better than Static, and it shows within this book. I recommend picking this book up and Milestone Returns # 0, on new comic book day.

Justice League: Last Ride issue 2 Review by Anthony Andujar Jr

Publisher: DC Comics

Writer: Chip Zdarsky 

Art: Miguel Mendonca

Colors: Enrica Eren Angiolini 

Letter: Andsworld Design

   With the entire universe against them, the League will have to protect one of the most vile killers that the universe has ever known. In order to accomplish their job, they’ll have to return to the very place that caused their disbandment as a team. Can the league manage this mission without tearing each other apart? Can Superman do what needs to be done for their mission to succeed? 

     I must confess that when I started to read this entry of this particular series, I came in expecting loads of action, and while there was some action, much of it was focused less on action, and more on character. Zdarsky spends much of the issue focusing on the character interactions between the League as they embark on their mission to transport their prisoner to the skeletal remains of Apokolips. While readers get the chance to witness some of the events that lead to the league's current status as a disbanded team, it is only a quarter of the story.     

    Majority of this book focuses on the individual tensions, doubts and fears that the League have about each other as a capable team. Despite the lack of grand action, this was a very introspective issue. Readers get to see how most of the league feel about each other, especially towards Batman and Superman, who aren’t as tight knit as they once were. Zdarsky does his job at building tension and uncertainty as the League tries to put on a brave face against all the odds that are stacked against them. For anyone that’s read comics for a long time, it’s clear that this issue is pretty much exposition and build up. And that isn’t bad especially in the case of what Zdarsky is developing with this series. This is its own book, which promises surprises that no one will expect, especially in a world where a central character’s demise leads to the current state of events that divided the league within this series. 

   The art by Miguel Mendonca is consistently great. He does a fantastic job at choreographing certain scenes that feel grand in power and scale. Especially in the flashbacks where the League are battling great distances to fend off the hordes of Darkseid. Angiolini delivers beautiful color work to complement the cinematic scope that Medonca’s line work delivers.  In addition to the art and color duo, Andsworld Design’s lettering does a great job at maintaining a balance between the art and dialogue, making the reading experience a smooth read. This was a great issue that focuses on character rather than just the scope of spectacle. I look forward to the next issue, and I recommend picking this issue up for new comic book day. 

     

    

The Other History Of The DC Universe #4 Review by Anthony Andujar Jr

Publisher: DC Comics

Writer: John Ridley 

Art: Giuseppe Camuncoli

And Andrea Cucchi

Colors: Jose Villarrubia

Letters: Steve Wands

                    “Live to make a difference.”

         Renee Montoya has always been on the fringe of society. No matter where she resides, she always had to hide her identity as a person, especially as a cop on the force. Being a woman, being a queer woman, being a latinx, all of these factors have always pushed her to ask the question, “who are you?” Witness the story of Renee’s journey as a cop during the 1990’s and her transition into one of the most iconic identities that she eventually inherits. Witness the harsh realities that she has dealt with, that changed her, and the many factors that make you question, “Who are you?”

     Much like the previous entries in this series, John Ridley is no stranger to combining real historical elements with the creation of these underrated and often overlooked DC characters. This particular issue is no exception as Ridley crafts a story that analyzes and dissects what makes Renee Montoya so special as a character. It’s very clever that Ridley approaches these characters and uses their year of first appearance as a framing device for the kind of world that they inhabit. Renee Montoya first appeared in the 1992 Batman: The Animated Series, and although that is where she started before being incorporated into the comics, most don’t consider the period in time that she existed.    

     The writing is expertly executed as Ridley using historical events from 1992-2007 to inform the course of Renee’s Journey as a character, while also acknowledging the publication history of her character, and framing her perspective of such events in a real light. Readers get to witness this condensed, realistic approach to Renee’s transition from cop to crime fighter while simultaneously witnessing the prejudices, consequences and the historical significance that occurred during her tenure. Personally for myself, I’ve always dug the character, but this book gave a very insightful perspective on her that shines a different light that is refreshing, and possibly the best showcase of her character in a long time. If anything, it shows that whenever she is used by capable writers that care about her, she can prove to be a compelling character, like any other. 

   The art by Giuseppe Camuncoli and Andrea Cucchi is masterfully drawn, matching the quality of the writing with every layout, panel and splash page. The colors by Jose Villarubia matches the atmospheric noir of the art, effectively evoking the kind of tone that a book such as this requires. The lettering by Steve Wands is well placed and provides much room to experiment, which is seen within the book, matching the graphic quality of the ensemble art.  

 Of the many books that I could have recommended from DC, this was my personal pick of the week. It’s a great character analysis on Renee Montoya’s struggle during moments in time, reacting to historical events that still hold relevance, and to some degree, a meditation on DC Comics as a whole. It’s a fantastic book that really explores who she is as a character of various identities that is trying to come to terms with who she is. It’s definitely my favorite installment of this series that The entire creative team has crafted. This story has something that anyone can relate to, regardless of orientation, race, or cape. I recommend adding this to your pull list for new comic book day. 

Crash and Troy #1 Review by Anthony Andujar Jr

Publisher: Action Lab-Danger Zone

Writer: Jarred Luján

Artist: Kyle Clodfelter

Colorist: Bruno Furlani

Letterer: Buddy Beaudoin

     Crash and Troy are mercenaries for hire, set on a mission to break out a blue alien guy. Little do they know that breaking him out will cost more lives than their pay grade can even rack!! 

  Going into this book, I wasn’t entirely sure why to expect, and that was a good thing because this book is more entertaining than expected! Jarred Luján writes this 4 issue mini-series and does a magnificent job at writing this story with a fantastic cast of misfits and an interesting universe that feels lived in and well throughout. Clearly this story is set in the far future, following the high jinks of Human/Mutant, Crash and his partner in crime, a conscious turned software being known as Troy 3.0. Both of these characters have chemistry and humorous exchanges that keep the book grounded and relatable despite the large sci-fi landscape that they reside in. The premise is simple, but the events that unfold are complicated for the protagonists, but utterly hilarious and surprising to the reader. There are some great subtle political undertones that really made this book a comedic joyride throughout. Crash and Troy have no idea what they’ve unleashed into the galaxy, but the implications that stem from their actions is an explosive domino effect that will keep readers invested.

    Luján does a fantastic job at writing Crash and Troy as two clashing personalities that make them a fantastic duo, but what really makes this book shine, is the humor and world building. One thing that I had a minor issue with is the idea that Netflix could still be that popular in the far future. It might make the book feel a bit dated, but that’s just a minor nitpick. Then again, there are many brands that are still discussed and bought today, so the idea of Netflix still existing might not be that far fetched. Luján might be onto something with that! All in all, it’s cleverly written and the universe that Luján displays will have readers curious as to what might be explored and the possible world building that comes from this mini series. 

     The art by Kyle Clodfelter is stylistically amazing and perfect for this kind of story. It really compliments the writing while also enhancing it in a way that gets the humor across visually. The layouts and action are wonderfully choreographed and illustrated in a way that is enjoyable to look at. It could have easily been drawn in a gritty way that would have sabotaged the fun tone of the writing, but in Clodfelter’s hands, he is able to walk that tightrope of displaying action while making it aesthetically satisfying without it feeling gratuitous. The color work by Bruno Furlani is cosmic and cinematically compliments Clodfelter’s line work, elevating the bombastic energy that this story delivers.  Buddy Beaudoin does an excellent job providing lettering, effectively displaying every character’s personality, while also carefully placing it with the art that compliments it, making this an enjoyable read throughout. 

    If you combine Guardians of The Galaxy, and you put it in a blender with the movie Tango and Cash, with a sprinkle of The Interview, you end up with this intergalactic concoction known as Crash and Troy. It is a genuinely fun book that balances humor and action like a well balanced meal. This is a promising start to a new series that is worthwhile checking out! This comic will be released on 7/21, so It is definitely worth pre ordering the book ahead of time so you can read it! 

Cojacaru The Skinner #2 Review by Anthony Andujar Jr

Publisher: Dark Horse Comics

Writers: Mike Mignola and 

Christopher Golden

Art: Peter Bergting 

Colors: Michelle Madsen

Letters: Clem Robins 

   Having been summoned from the dead to aid the allies against the Hexencorp of evil witches, Cojacaru The Skinner is unleashed to take them to the grave. But the battle may prove challenging as Cojacaru and her allies will have to work together if they are to accomplish their mission and survive in the process! 

Writing:  Mike Mignola and Christopher Golden deliver a fitting conclusion to this 2 issue mini epic. Despite Cojacaru’s stoic demeanor, there’s subtlety with her dialogue that gives her humanity with some dry wit that leaves readers wanting to see more from her. Thankfully, the writers provide that as Cojacaru, and her allies plan and charge into battle. The Hexencorp continues to be a terrifying presence that begs for more exploration. With that being said, that’s the one problem that I have with this book: I wished that it was 4 issues instead of 2, because it really is an enjoyable ride from beginning to end!  There’s much left to be desired that I would have liked to have seen, and possibly would have benefited the book if they had two extra issues to accompany it. That doesn’t take away from this book as the writing alone makes it a fun read throughout. 

     The art by Peter Bergting and color work by Michelle Madsen is stellar. Both of their combined powers really give this book an aesthetic that looks even better when reading the first issue and second issue in consecutive order. This issue in particular, there is a sense of power that Bergting and Madsen are able to reflect on their art. Some of the best moments about Bergting lies in the quiet moments where the characters are interacting with each other. Those moments are beautifully drawn and with Madsen’s colors, delivers the kind of cinematic atmosphere that the writing requires. The art team manages to deliver and execute that well.  

      The unsung hero here is Clem Robins.  I really enjoyed Clem Robins lettering in this issue. There are panels that could have easily been overwhelmed by the dialogue, yet Robins expertly implements word balloons in effective ways that compliment the art beautifully. Because of her choices, the lettering subtly becomes a work of art in it of itself making aesthetically pleasing in conjunction to Bergting’s and Madsen’s art. 

       Despite my desire for this book to have been a 4 issue mini instead of 2, Mignola, Golden, and the rest of the team expertly display why less is more.  And it is apparent as this was a great issue with a fitting conclusion that leaves the reader wanting more of Cojacaru and the world that she resides in. Given that Mignola and Golden are crafting a series of tales that may be of a shared universe, it’s safe to say that Cojacaru is one worth revisiting again. If it hasn’t been clear, I really enjoyed this book immensely. The writing is tight, and the art is solid. This is definitely worth picking up for new comic book day

Sonjaversal #4 Review by Anthony Andujar Jr

Publisher: Dynamite Entertainment 

Writer: Christopher Hastings

Art: Pasquale Qualano

Coloring: Kike J. Diaz

Lettering: Hassan Otsmane-Elhaou

    This multiversal team Sonja’s have battled in the pits of hell, and have set their sights to the stars to seek answers from the gods. Unfortunately for them, they’ll discover that the universe is not on their side!

     Christopher Hastings continues to write this multiversal romp of sword, sorcery and interstellar chaos that provides a ton of blockbuster fun! Hasting does an amazing job with this juggling act of writing each of these different Sonja’s, giving them a unique voice that makes them all standout in awesome ways. In truth, we live in a day and age where many expect comics to always carry prestigious, cerebral stories that have to be serious all the time, that it’s often forgotten that stories don’t always need to be conscientious about the human condition. 

     Not every comic has to be a Watchmen, or an analysis on the world of today and that’s okay! Because Hasting writes this book as it’s intended to be, a summer blockbuster celebration of Red Sonja doing what she does best. Hasting understands his assignment and delivers fun action and character throughout that anyone who is a fan of various genres in comics could appreciate, whether longtime fan or new. If anything, that’s the beauty of Hastings writing, he is able to provide a wacky story that does meditate on the potential of what Red Sonja could be as a character if planted in a different genre and audience. 

   Strip Red Sonja of sword and sorcery, and what could she be without it? What potential she has as a figure in fiction, is cleverly reflected by each member of Team Sonja, showing the versatility that Sonja could have and may possibly gain as a character.  Personally, I’d like to see a mini series about Purple, Silver and Blue Sonja’s since they have interesting origins that would be great to explore in a mini series format.    Some of those elements are cleverly displayed throughout the book as Team Sonja charges through various enemies with humorous exchanges and insanity that only a book about Red Sonja and her multiversal counterparts could deliver.

    The art by Qualano and color work by Diaz is solid. Qualano delivers action packed layouts which coupled with Diaz’s color work provides a fun quality that matches the tone of the book. Qualano does a great job at rendering each of the Sonja’s in action, providing an aesthetic that is reminiscent of elements of manga, making this an enjoyable book to look at. Hassan Otsmane-Elhaou does a fantastic job providing distinct voices for each of the Sonja’s. Hassan is able to showcase each of Team Sonja’s personalities through the lettering that is effective, adding a subtlety to this enjoyable book. 

   Sonjaverse is one of those books that could have easily been dismissed as a book, but continues to be a surprise full of adventure. It understands what it is and leans into all the enjoyable elements that make it a great read that is worth buying. If you’re looking for a book that you can sit down, pick up and have a blast just reading, I recommend this book. Definitely add it to your pull list for new comic book day. 

Time before time #1 review by Anthony Andujar Jr

Publisher: Image Comics

Writer: Declan Shalvey and Rory McConville 

Artist: Joe Palmer

Color: Chris O’Halloran

Letters: Hassan Otsmane-Elhaou 

     Oscar has one job, a unique job. The kind of job where one could pay their life savings to travel back in time to have a better life than the present. For Oscar, he’s done this job enough to know that in the year 2140, the present is crap. If he can’t pay off his debt to the organization known as the Syndicate, what else is there to do? If Oscar can’t have a future in the present, what is he willing to do to change it? 

   Declan Shalvey and Rory McConville  introduces readers to a world where tomorrow is never promised, and yesterday never fades. Shalvey and McConville immediately hit the ground running with interesting characters and a setup that is both fictional yet identifiable to the current world that the reader resides in. Some of the writing hits close to home in regards to the protagonist Tatsuo. In a world where poverty just continues to rise, and the environmental conditions continue to worsen, it’s easy to see why Tatsuo and his friend Oscar commit to the decisions that they make.  

Tatsuo’s frustrations with paying off his debts in order to have some semblance of an unchained life is relatable. Anyone that experiences the hardships of the COVID pandemic, losing their jobs, paying off student debts, or being overworked for little pay is something that anyone can identify with, especially with Tatsuo’s desire to be free from his depressive routine. His plight is understandable enough to want to escape from, and that’s what makes this book so captivating. Given that time travel is involved, there has to be consequences right? It’s a grand concept and grand world where time is truly of the essence, with every decision that Tatsuo makes, Shalvey and McConville ensure that the reader will feel the pressure that is applied to Tatsuo.

    Palmer’s art truly cements the aesthetic and tone of Time Before Time. It really brings Shalvey’s writing to life in a manner that reinforces the concepts, and actions that are occurring throughout the book. Palmer’s layouts in addition to Halloran’s color work are wonderfully drawn, giving each panel a different perspective and lens that give the book a visual flavor that would perfectly work for film. There’s aesthetic elements of this book that make it the perfect love child of Blade Runner, and other sci-fi films of the genre, with a little bit of David Fincher to boot. Hassan does an exemplary job with the lettering, giving it a sense of character that feels unique to each character’s speech and actions. Whether it’s an exchange between characters, or subtle movements that are depicted, Hassan shows exactly why he does what he does best as a letterer and as an educator in the craft of lettering. 

   

 This series holds a lot of promise given the worthy investment and time that it immediately provides for readers. If you love films such as Blade Runner, Looper, and crime drama’s of the sort, this book scratches that itch. It’s a great combination of two genres that is personal in scope, but grand in scale. And given the page count of this book, it’s worth picking up and adding to your pull list for new comic book day

Justice League: Last Ride #1 review by Anthony Andujar Jr

Publisher: DC Comics

Writer: Chip Zdarsky 

Art: Miguel Mendonca

Colors: Enrica Angiolini 

Letters: Andworld Design

  

  

     

    The Justice League, a beacon of hope, a cast of the world's greatest heroes that the universe has ever known, until they weren’t. Time has passed after a tragic event that caused the League to disband. But, things have changed, as the universe is preparing the most grandiose murder trial ever known to the galaxy. The person in question can’t be left to their own devices and requires the League to protect them at all cost. Can the League put aside their differences to protect this individual before trial? Or will the greatest villains in the universe eradicate him before justice can be served? 

   

  Chip Zdarsky makes his DC Comics debut writing a mini series focusing on the Justice League! Zdarsky has written some amazing work at Marvel such as Peter Parker: The Spectacular Spider-Man, Spider-Man: Life Story and currently, Daredevil. Now he’s lending his talents to the Justice League and oh boy is it good! There is something about Zdarsky’s writing that gives the book such a weighty tone, where the stakes are rising with each page. What’s great is that this is a mini series, so this gives room for Zdarsky to do whatever he likes, and it shows. It reads like a mature Justice League book, and not for the sake of being ‘mature’. It just feels like there’s consequence in bringing the league back together, and even more consequence for what ensues as the league moves forward in their quest to protect one villain from a whole universe that wants his head. One of the many facets that’s enjoyable about this book is how Zdarsky writes each member of the league, with personality and humanity. He has a way of displaying subtlety in his writing, such as Wonder Woman sitting bored in the Watchtower.  And that is expertly executed by the wonderful art of Micheal Mendonca.

   Mendonca‘s art is detailed with cinematic visuals on each panel, providing easy investment to the story. There’s personality with every character, each rendered and distinguished, giving each member of the league a strong presence all on their own. The color work provided by Enrica Angolini is graceful and provides the perfect kind of flair that a book such as this needs in scale and scope. The lettering by Andworld Design does a fine job as well! It’s safe to say that this is a worthwhile book to pick up. Everything about this book screams ‘this is the justice league book you should be reading!’ I definitely recommend picking this up for new comic book day

Green Lantern #2 Review By Anthony Andujar Jr

Green Lantern #2 Review by Anthony Andujar Jr

Publisher: DC Comics 

Writer: Geoffrey Thorne

Artist: Dexter Soy & Marco Santucci

Colorist: Alex Sinclair

Letters: Rob Leigh

        

    The universe is on the cusp of all out war after the fall out of the ambush that occurred at The United Planets summit. With one of the guardians of the universe dead, and the green lantern corps gradually falling out of favor with many, John Stewart is left to pick up the pieces behind this assassination. But he’ll need some help from a fellow lantern that has the right set of skills to aid this murder investigation. What new role will John Stewart have within the Green Lantern Corps? And who is orchestrating the demise of the Lantern Corps? 

     Things are not looking great for John Stewart and the Lantern Corps as they struggle to maintain their reputation as universal protectors. Thorne is shaking up John’s world and pushing him in a direction that challenges his role as a leader. And it gets more difficult for John as Nemosyni, a new guardian enters the fray and restructures the entire hierarchy of the Corps, causing concern for all members extraterrestrial and human alike.

    John’s reaction to Nemosyni’s decision is great since anyone that works in retail would relate when a company makes changes without providing any chance for discussion and agreement. The writing is amazing as Thorne continues to build this space cop epic that is reminiscent of a cop show, disguised with powers.  The insanity that ensues after will leave readers speechless with an unsuspecting turnout.  It’s only the second issue yet Thorne brings everything crashing down onto the corps that will leave readers eagerly yearning for the next issue. 

 

   The art by Dexter Soy and Marco Santucci is fantastic. Both artists deliver cinematic layouts and panel work that executes the kind of tone that Thorne is going for with this book. The colors by Alex Sinclair are radiant with power as it coats Soy and Santucci’s linework, and Rob Leigh’s lettering is the cherry on top of the cake of this book. Thorne and company are building a green lantern epic that is grand in scope and personal in scale. This is definitely worth adding to your pull list on new comic book day. 

Vampirella #19 review by Anthony Andujar Jr

 Publisher: Dynamite Entertainment 

Writer: Christopher Priest

Artist/Colors: Ergün Gündüz

Letters: Willie Schubert

     Vampirella faces a conflict of choice that pits her against two of the very things that she has cared for. She could either side with her people, The Vampri, to save them from blood drought and consume all human life, or she could protect her adopted home world, earth. Forced to grapple with the legacy of her own familial ties, what lengths will Vampirella go to prevent the deaths of her friends? 

    Christopher Priest is no stranger to telling stories that leads readers through different moments in time, to contextualize the full picture of a story. What’s great is, whether or not readers have read the previous issues of this arc, Priest is able to fill the reader at a good pace that keeps the story flowing, and making sure to give readers a good jumping on point should this book be their first comic. This arc, along with this issue provides an interesting dilemma and character study of Vampirella. The conflict she is in where she has to reconcile her cultural identities that clash due to the very nature of who she is, while nothing new, is unique for this particular arc. Having to decide whether to completely choose one or the other, is something that anyone of any culture or creed can relate too, especially if it’s representing the bad qualities instead of the good (be it choosing to feed on humans or not, seeing oneself superior to another being or species etc). It’s interesting seeing priest explore the clashing cultures and politics of the vampri, displaying what sets vampirella apart from her own native people, while simultaneously showing the commonalities that they share with humans. 

    

     It’s great meta commentary reminiscent of vegetarianism, and factory farming, which in the case of Vampirella is as entertaining as it is compelling. Priest adds some depth to Vampirella that makes this title worth reading, giving readers a sci-fi story that will become a recommended read for readers in the years to come. Most readers would probably look at Vampirella as just a character full of eye candy, but Priest does a fantastic job at adding more depth to the character that hasn’t often been explored to a degree which might entice readers to go back, and pick up previous issue in priest’s run, possibly gaining appreciation for this classic character. 

   The art and colors by Gündüz is as stellar as this interstellar story, delivering a cinematic sci-fi flair that is perfect for the tone of this story. The layouts, set pieces  and action displayed by Gündüz pencils and colors are beautifully rendered. The lettering by Willie Schubert is crisp, making the reading experience enjoyable as the lettering accompanies the art, without ruining the balance that makes a good comic experience. This is a very fun, engaging sci-fi tale for the character that makes this book a worthwhile read. It’s safe to say that this is a solid creative team that makes great efforts to tell the best story that they can tell, and with a book such as this, it’s worth adding to your pull list.